What happens when art leaves its ‘own’ territory? When it moves into situations of collaboration in other territories? (Wright, 2013, p. 29) wonders the theoretician, critic and curator Stephen Wright who names this process as exterritorial reciprocity, trying to explain what happens with the 'vacuum' space that art leaves behind when migrating to another place. According to the norm of reciprocity 1:1, the abandoned space, formerly reserved for art but suddenly made available to other forms of endeavor (Wright, 2013, стр. 29), a resource for practicians from other domains where art has migrated, and which they now utilize for their own use.

What are those new places where contemporary art has headed to, the territories that it occupies? Today, by breaking the limits of the representative, the formal, the visual, the contemporary art enters the domain of social living, however, not symbolically like in the Modernism but actually engaging in its shaping, changing and creating.
Socially engaged art functions by attaching itself to subjects and problems that normally belong to other disciplines, moving them temporarily into a space of ambiguity...